room to breathe

May 29, 2023

“Does he have room to breathe?” Your mom asks me, every time she sees you face-planted against my chest for your afternoon naps. I can’t blame her. Your nostrils are too tiny to see from afar. And how you burrow into things like they have no end, and climb like there is no edge, and sample objects like the universe is your buffet. To raise you is to discover that the world around me is a kind of a minefield. The things I used to shrug off are now suddenly biohazards. The neighbor who smokes on her balcony. The alley full of trash. The temperment I swore I’d master before you were born. All of it makes me wonder, can I be a good parent without the fear?

You’re barely a year old, barely able to move about the world, and I’m already mourning all the moments of your life I’ll miss. Sometimes at the playground, I watch the younger dads with their kids, two sets of wide, curious eyes, and I can’t help but be filled with jealousy. My dad had me when he was just 26. According to that, there’s an entire generation between you and I. I don’t know if I’ll ever not wonder what it would’ve been like to have an extra decade with you. It’s only been 10 months and I’m overwhelmed by all the nostalgia of just moments ago. This sad-cold is not at all helped by this particularly gray May. Can I be a good parent without this melancholy?

Finally, I’m writing again with some semblance of consistency (as in I’ve managed to do it twice this week). I get my sessions in during your mid-morning nap, which begins around 10:30 and ends somewhere between 10:45 and noon (what it will be each day is anyone’s guess). Right now, it’s already 11:54 but you look so peaceful on my shoulder I can’t bring myself to let you stir. Maybe you’re dreaming of something, maybe your mind is dormant. Either way, you won’t remember when you awaken, and surely not when you grow up. This might be the biggest inspiration for me to finally find my words again. These moments are too beautiful for the both of us to forget.

40

May 24, 2023

is this the decade
i enter
finally aware
it is not all
about me
?

when i reunite
with this universe
but no longer
the center

recognizing
inside every mid
-life crisis
is the triumph
of making it
this far

embracing
the feeling of beginning
to become
vintage

acknowledging
“i’m in the best shape
of my life!” is
an unnecessary
disclaimer

spending
this gained wisdom
on appreciating
each breath
more than
the one before

accepting
aging
as fate

relinquishing
what it is
to be
invincible

5:15

April 30, 2023

5:15am again. your mother said you woke her seven times last night. you’ve been doing this thing lately where you roll in place repeatedly like a shrieking rotisserie chicken. sometimes you grasp desperately for mom, but when she holds you close you kick her hard in her stomach, right where they cut her open to pull you out by your legs. we know it’s not your fault though. your first tooth is emerging with brute force and it’s been making sure the whole fam knows.

bro, it’s fucking early. one thing i can say for sure is that i’ve never seen this many sunrises in a single year. as i write this, the deep blue has turned pink and now the palm trees aren’t just silhouettes anymore. this morning, we caught the day break even before the bakery down the street started emitting the scent of sweet dough throughout the neighborhood. barely a car to be heard in LA – you really are full of miracles.

at 9 months, your head rests heavily on my chest and i’m no longer afraid that bouncing you might break you. in fact, you just might break me! this wrap i’ve been carrying you around in – the one i’ve circled the block with you so many afternoons – i dread when you don’t fit in it anymore. i know it’s coming soon. one day, your sausagey calves won’t be able to squeeze through the loops. or my back will whimper about one ounce too many. or you’ll demand that i stop carrying you, and you’ll say it in a complete sentence. either way, i’ll probably cry like a baby.

they say you’ll never get this time back, and i believe it because it’s already been a blur ever since two decembers ago in d.c. when i ran to the cvs to pick up that pregnancy test. i can’t even recall how many times i swore i’d commit something to memory, they all seem like bad imitations of my phone’s chaotic camera roll, or they’ve already evaporated. so i’ll savor every moment i can get, even these hours of lost sleep.

100 days of silence

January 29, 2023

datu.

you weren’t here the last time i wrote anything from my heart. you were a swelling, a burgeoning, a not-quite, even though technically all of you already existed – two eyes, ten fingers, a heart, a soul – just on the other side of your mother’s bellyflesh, across the border between anticipation and relief.

but today is your one-hundredth day of life, and i’m compelled to either try to find the words, or risk losing them forever.

this silence itself has been a journey. the first few days since you were born, i was simply speechless. jaw too dropped to talk, hand too jittery to write, mind too sleepless to think coherently. all i could do was hold you. a tiny you, a three-weeks-earlier-than-expected you, a color-of-a-peach you, a you with skin the texture of a whisper. i stared out that hospital room window for three days, at the gallery of other hospital windows staring back, shielding your eyes from the florescent lights and your ears from the incessant chirps of the machines plugged into your tired mother. “is this how life begins?” i asked, after the third failed attempt to get the nurses to make the room less frigid.

the afternoon we brought you home, you finally opened your eyes to the natural light, and my speechlessness became awe. maybe a too-strong-of-a-word would be unworthiness, but except, yeah. how dare i have the audacity to think i, that anyone, could retrofit this sacred experience into language? why knowingly mistranslate? what greater irresponsibility as a writer? besides, what good parent actually has the time to reach for a pen between changing your diaper and bouncing you until your wails subside? am i here to live a full life or to spend most of my days documenting what remains? my first lesson of fatherhood: treat you like a person, not like a writing prompt.

as a new parent, it is tempting ignore the calls into the unknown, and instead reach for the familiar. it is tempting to forego the duties of raising a child, and instead nurse a body of work. but you are not a muse, you are my son.

over the course of these months, i’ve refused to write for the reasons that typically inspire me to – to publish, to promote, to prove to myself. raising you has been a lesson in appreciating the process over the product, something i’ve yet to appreciate as a writer. it was only last week that it dawned on me how.

parenthood is often mistaken as a job in stewarding another person’s becoming. i feel like i’m the one who’s actually finally growing up.

short-term nostalgia

April 6, 2022

u know times is moving
fast when
u start getting nostalgic about like
4 months ago
winter’s never been my favorite season
too cold for my poor circulation
but i do like the quiet in between gatherings
gatherings been rare these days
but the quiet’s been too
how’d we end up in this spell of
noisy solitude
?
all these voices in my ear without the
warmth of breath
been trying to make eye contact but
all i see is pixels
virtual backgrounds
bureaucratic pronouns
land acknowledgements but
we ain’t been nowhere

i remember when
even the internet was a place
now it’s just a mood, a fix
i often wonder if the gifs are worth it
the abrupt cackle while late nite scrolling
or was it a gasp
?
a released valve from
the tension in my bones from
the post before

when my child asks me
what this time was like
i might mention how
i used to strut into the ocean each day
(before i decided that shit’s too cold usually)
i stretched each evening before dinner until
my spine – knotted up from travel –
became a steel rod
(at least until i started flying again)
how i wrote poems each morning
(the kind my future self would
pine for the words to)
how the world fell sick
(yet i found healing)

or i could just airdrop him a folder of my zoom talks
a bunch of iphone pix of
off-color sunsets and screenshotted tweets
panic-purchase receipts and expired free trials
declined calendar invites and self-care memes
a sustained inner monologue about
finally getting my shit together

this is what it was like, child
a pandemic
a fever dream

christina

February 17, 2022

I met Christina in 2014 when she was a gallery manager at the Klein Sun Gallery in NYC, which represents Chinese contemporary artists. That spring, we sat together for dinner after an exhibition opening, and had a wonderful conversation about the shifting connections between Asian and Asian American art. I was barely a year into my job as a curator, and New York’s art world felt so foreign and intimidating – but Christina expressed genuine interest in my work and the topics I was just beginning to feel my way through, and that was the encouragement I needed.

Later that year Christina invited me to collaborate on curating a performance with the artist Liu Bolin. The gallery was preparing for an exhibition featuring his latest body of work, Security Check – a series of sculptures depicting him and others standing with their hands up, as commentary on the cost we pay for a false sense of safety. It was August, and protests in Ferguson had just erupted in response to the murder of Mike Brown.

I noted that Liu’s work had commonalities with the demonstrators’ “Hands Up Don’t Shoot” stance, and how powerful it would be to highlight those connections. Christina was supportive of bridging Liu’s work with Ferguson as an act of solidarity with the movement for Black lives, and we spent the afternoon calling up venues and participants around the city. Liu ended up having to leave for an emergency trip back to China so the project never came to fruition, but the experience brought me closer to Christina and the rest of the gallery’s staff, and offered me my first taste of curating with an international artist.

During my trips to NYC I’d visit the gallery and find Christina there to greet me with her wide smile, her warmth and friendliness. The art world wasn’t so foreign anymore. Our last correspondence was at the end of that year, when she informed me that she was leaving the gallery to travel the world and figure out her next move. She went on to do amazing things and inspire so many others.

Christina Yuna Lee will live forever in my heart as the incredibly sweet spirit who gave me confidence and support when I was a new and inexperienced curator. She was a brilliant creative who cared deeply about art and artists, and what we could do together with our imaginations. I was hesitant to share about our brief, beautiful moments together, but with so much being discussed about her death, it’s important to center who she was for our world, and how she left an impression on others so naturally and generously. Christina lived the kind of a life that is worth being remembered for, and she lived it fully.

waiting for saturn

May 24, 2021

who knows if saturn ever actually returned to me? i spent so much of my late twenties tormenting myself over whether i was making a significant impact on the world, or if i ever would. back then, my imagination for what that meant only extended far enough to envision crowdsurfing in madison square garden, raking up myspace followers, and having my songs featured on nah right.

10 years later, venues are vacant, the currency of myspace couldn’t be traded for wooden nickels, and nahright.com is proof that all domains eventually expire. but i still struggle with the pressures of external validation, even today as i ripen into age 38. over the past decade, i’ve brushed shoulders with stars and stuck my nose into some of the highest institutions, and can report back that there is no name heavy enough to drop my insecurities, no brand iconic enough to make me recognize my own self. the deepest lesson of my thirties has been that nothing revolves around me, especially not planets.

but how liberating this lesson has been! the thirties can sometimes feel like an existential limbo between saturn’s return and midlife crisis, with the world telling you that in order to ascend you must fill your jetpack with accomplishments. but what’s so bad about a midway point in life? when can we ever transcend crises?

each year i witness more calculi of my self-worth disintegrate into the vapid metrics they are. each year i age out of another “XX Under XX” list of who’s-who’s, i encounter more biographies of people who accomplished in their youth what i’ve come to peace is not for me to grasp. i find myself doing old shit like believing in the next generation.

the voices in my head despise when i come to these realizations. they argue that this is evidence that i’ve settled for less, that i’ve pardoned myself for being past my prime, that i’ve stopped dreaming. the other day i revisited chappelle’s block party for the first time since that period of aimless longing. if only i was so important that they’d make a documentary about a slice of my life, i fantasized. i had myself believe that my value could be condensed into a biopic, some viral videos, and a bangin wikipedia entry. that if i jumped through enough hoops eventually they’d transform into the rings of a saturn returned to me, that this would be proof that i ever existed in this universe.

for the record, i believe i traversed saturn’s return swimmingly – not because i found a loving partner or a job attached to a recognizable logo, not because i exchange texts with people who have blue checkmarks or keep having to shrink the font on my CV. but because i’m on a journey to discovering my own center of gravity, as i did when i was young and could spend an afternoon playing under the sun, yearning for nothing more than for the day to never end. this birthday, i celebrate by returning to myself.

15 cents

April 24, 2021

i say “tryna make a dollar out of 15 cents” so often i don’t even think about digital underground anymore when i do. it’s part of the language i grew up with, at the same time that i was learning how to carry the remainder and style my mushroom cut. i activate the phrase out of reflex, like hella and waddup, cuz and melting into thizzface whenever i’m really feeling something. it perches at the corner of my lips like a toothpick. bay shit.

i started tuning into chuy gomez on KMEL when i began middle school. that beat from I Get Around slaps so hard, i could loop it endlessly. i spent entire saturdays waiting with a blank tape and my thumb on the red button for rick lee the dragon to throw it into the mix. on hindsight, it’s an inappropriate song for a 10 year old. i had no idea what it meant to put satin on someone’s panties. still, i loved that shock g verse, even more than pac’s.

i only had lunch money to my name, but i understood “tryna make a dollar out of 15 cents” immediately. it’s not even a punchline but it’s one of the earliest bars to raise my eyebrows. a vivid, clever, concise, very functional eight words that i repeated time and time again while digging for ecko shirts in the ross clearance section, while turning my flaming hots into a meal by pouring nacho cheese into the bag, while trying to make world-class projects with broke-ass budgets. i don’t think there’s a line in the entire rap universe that i’ve uttered more times. it’s a mantra.

shock g died this week. we lost dmx earlier this month, and black rob, too. it’s like everyone in the CD wallet i used to carry in my backpack is disappearing. not like i’ve had much of their music on rotation lately, but i cherish them for soundtracking my coming of age. moments from my youth now buried with the ages:

in middle school, bumping Freaks of the Industry on my discman while rolling the garbage bin to the curb. in high school, doing donuts in the logan parking lot with Whoa Remix pouring from my speakers. in harlem, sticking my head out the window to watch the ruff ryders descend down lexington with the RR Anthem on blast. all those songs were about living fast and dying young, nobody mentioned getting frail and passing alone. the rap life never prepared us for death like this.

take my breath away

April 3, 2021

The writing prompt Lovely gave me today is “something that takes your breath away,” and being a child of the 80’s, my mind immediately went to “Take My Breath Away,” the song by Berlin from the sex scene in the 1986 film Top Gun starring Tom Cruise. I was born in ’83, so it doesn’t really make sense for me to associate with this pop culture reference, especially since I’m not even sure if I’ve ever watched Top Gun in its entirety (I know, get over it).

Part of not knowing if I’ve ever watched Top Gun is not remembering anything about the sex scene, other than the fact that the song “Take My Breath Away” was playing during it, which either means that the song is really incredible or the sex scene is really not. Or that I was three. So even though I know that “Take My Breath Away” is associated with the sex scene in Top Gun, when the song or phrase “Take My Breath Away” comes up, for whatever reason what appears in my mind’s eye are the visuals from the sex scene in the 1988 film Twins, starring Arnold Schwarzenegger and Danny DeVito.

In the sex scene from Twins, Arnold Schwarzenegger’s character is already in only his underwear when he hears a knock on the door. Thinking that it’s his twin brother, Danny DeVito (I know, get over it) he opens it, to find not his twin brother Danny DeVito, but instead the Hot Blonde of the film, played by Kelly Preston. The Hot Blonde asks Danny DeVito’s twin brother if she can stay in his room tonight, and he obliges by offering to sleep on the motel room floor. They happen to kiss while passing each other – an act that manages to come across as both bashful and very forward – and then they sleep separately for all of twenty seconds before the Hot Blonde ends up fucking Danny DeVito’s twin brother on the motel room floor.

I watched this scene on Youtube (for writing research purposes), and can report back that the song that plays in the background is not Berlin’s “Take My Breath Away” but instead some generic strings in the film’s score composed by Georges Delerue and Randy Edelman. Neither of their Wikipedia pages’ top paragraphs mention Twins starring Arnold Schwarzenegger and Danny DeVito, as is the case with Arnold Schwarzenegger and Danny DeVito. Needless to say, Twins was not anybody’s best work – including Kelly Preston, who is best known for punching Tom Cruise in the face as his ex in Jerry McGuire, a movie that I had also never seen, at least not until quarantine (I know, get over it).

By now I’ve probably spent more time than most on the Wikipedia page for Twins starring Arnold Schwarzenegger and Danny DeVito, and can appreciate the fact that a film that is so memorable for being so forgettable has enough dedicated fans to keep its Wikipedia article updated.

In fact, as of the time of this writing, it was last updated only two months ago, which not only means that it is more up to date than my own website, but that somebody (in this case, Monkbot), cared so deeply about the 1986 film Twins starring Arnold Schwarzenegger and Danny DeVito that they found the capacity – amidst a global pandemic, epic climate crisis, surge in racial violence, American insurrection, coup in Myanmar, and plenty of great films starring Danny DeVito, Arnold Schwarzenegger, Kelly Preston, and Tom Cruise – to ensure that the Wikipedia article for this movie with an odd sex scene which imprinted itself into my brain when I was five is as pristine as can be, should anyone on a Saturday afternoon decide to read it in its entirety.

Whew, that really takes my breath away.

where it hurts

March 17, 2021

I haven’t really expressed how much I miss massages, because I know how bourgie that sounds. Even the reasons why I needed to get one on a regular basis prior to the pandemic sound bourgie – all the international flights, the stress of working a white-collar job, the calcifying of my neck and shoulders that made me groan while getting up from the couch since my early thirties. These days my back hurts less, and I owe that partly to the slower pace of life, but mostly to the healers both foreign and familiar who have laid their hands on me; who risk welcoming strangers into dark rooms, who put their whole selves into the art of human contact.

My go-to spot in Washington, D.C. is a small studio in the basement of an apartment complex in Dupont Circle. That description itself alludes to why it remains a well-kept secret. Describing it to friends immediately elicits a response of how that sounds “shady,” “sketchy,” “seedy,” and other s-words that are only associated with massage businesses that are Asian. No skin off my back, I’d think to myself. More appointment slots for me!

I was convinced to venture in because of a one-star Yelp review. “It hurt so much and when I told her to stop pressing so hard, she still pressed too hard!” I immediately booked an appointment. “Don’t ever get a massage from Lai, she’s way too rough!” I requested Lai (all names here have been changed for privacy).

Lai was the eldest of the staff, the one who appeared to have corralled the rest of the team. All the workers there come from Thailand, where many of them still spend some seasons. My first time in the waiting room, they handed me a blue ballpoint pen and a sheet with a diagram of a person with palms outstretched. “Mark where it hurts,” the form said. I handed back what could’ve been a page from a Smurf coloring book.

“Let me know if I’m being too strong, okay?” Lai said, as she dug her thumb into my shoulder. I took this as a challenge to my cultural authenticity, like when a waiter asks if I want mild, spicy, or Asian-spicy. So as Lai smeared her arms down my spine, flattening entire mountain ranges with her knuckles, I swore to myself that I would never utter the words “gentler, please,” just like I would never pour Sprite into a glass of fine scotch. It was Lai who taught me how to breathe through it, a skill that I’ve learned to exercise even when not lying on my back.

After a couple of years, Lai left to run her own spot in Northern Virginia. She was replaced by Sumi, whose stature reminded me of a sequoia tree, her palms wide like a pair of ceiling fans. If Lai is a master of smoothing out knots, then Sumi is a master of turning you into one. A 90-minute appointment with Sumi is an episode of pure bliss, especially if you didn’t know that the human body can in fact be folded like a military shirt. She began her sessions by firmly pressing her hands on me from head to toe, as if encouraging each body part to reveal the pains they wouldn’t even admit to me. She would then contort my limbs like an action figure, introducing me to my own flexibility. Oh, I guess I can do that, I thought, the first time she grabbed my wrists from behind and extended her foot into my back. Her sessions would end by her whispering, “breathe,” as she inhaled deeply, cradled my head inside her elbow, and thrust her entire body sideways. I floated out of the basement those days.

I met Jana once when my lower back was killing me, and Sumi was in Thailand for the summer. Jana’s frame is petite but her grin is vast, and she graced me with it every time I walked through the door. “Oh, it’s you!” she’d exclaim, as she rushed around the counter to fill me a cup of ginger tea. Although Jana doesn’t have the muscle of Lai, or the size of Sumi, she cultivated a craftwork of her fingers that can play your spine like a grand piano. The times when I didn’t exactly know where it hurt – I just knew it hurt – Jana could sleuth out the aches, and shoo them away by maneuvering her hands like she was throwing gang signs at them. “You’re too stressed,” she’d say every time. “Work and travel,” I’d huff facedown into the pillow. She’d click her tongue like a concerned auntie before pulling out the hot stones even though I didn’t purchase the premium package. She’d end her massages by clutching my scalp and rapidly flicking her fingers from it, like she was weeding out my worries. “All better, yeah!” she’d say, more a statement than a question. Jana taught me that sometimes the hurt can’t be forced out, it must be asked politely.

My last massage was before the pandemic. Sumi was moving back to Thailand to continue her practice closer to family. “I’m only taking my last appointments with my favorite customers,” she smiled at me warmly. That last massage was the best parting hug ever.

Last week in Georgia, somebody shot up three massage studios, killing eight people. Six of them were women whose descriptions could have matched Lai, Sumi, and Jana. The way I heard the news was by calling into a work meeting and being asked, “How do we respond?”

As we strategized over Zoom, I felt my back clench up, knowing that this was a nightmare come true – that now, throughout the country and probably the world, women who have dedicated their lives to healing us have been minimized to victims, trends of violence. While news outlets interviewed the perpetrator’s parents and reminisced on his childhood stories, many failed to spell or pronounce the names of those he killed. In some cases, the victims are described in the words of the gunman – “temptations” and “addictions” – while we are hard-pressed to learn of who they truly were; healers, cultural practitioners, caregivers engaged in forms of non-Western healing that continue to be widely misperceived as petty labor, superstition, or erotic leisure. I grieve over how frequently women in the practice of massage accept appointments uncertain of whether their next client will make it their last, and how weary they must be responding to sexualized inquiries with, “No, I don’t do that,” or “Yes, I do.”

My staff left our call without an answer, but with the task to reflect, and ideally to generate a statement that can fit into an Instagram slideshow that condemns the collision of racism, sexism, disdain for service workers, and general disregard for Asian healing practices. I don’t know what the statement will be – all I really know right now is that my whole body hurts, no matter how much I’ve tried to stretch, use massage tools, and shave travel and work from my daily life.

I think I just miss massages – yes, because of the luxury of dedicating an hour and a half to being completely pampered – but more so because not having them represents what this period has evaporated from us: a deeply-felt encounter with art, a sense that what ails us can be instantaneously remedied, and the intimacy of strangers who put everything they have into freeing us from the pain we carry.